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House Tour: 1930s Texas Classic Gets A Modern Makeover

What started as a kitchen remodel—and turned into a whole-house renovation—transformed the interiors of an 80-year-old house into a chic and contemporary escape with standout midcentury details.


By Rachel Gallaher

Images by Clay Grier


modern kitchen neutral colors gray island in the center. The backsplash is a black-and-white marble that goes up the wall. A gray table sits in the foreground with three leather chairs on one side.

A full remodel on this 1930s home in Austin, Texas started with the request for a kitchen makeover. Led by Mark Ashby Design, the project embraces the original details, while layering in contemporary accents such as a stainless Lacanche range and the Arabescato Marble backsplash.




When a pair of young professionals in Pemberton—a picturesque, heritage neighborhood in Austin, Texas—first called Mark Ashby Design, they were looking to renovate their kitchen.

The house, built in 1939, had classic architecture and period details that the homeowners loved, including pocket doors and 80-year-old moldings. As the initial project details started to evolve, and eventually turned into a whole-house renovation, these details, and the history of the house in general, became a touchstone for shaping the design and décor decisions during the year-long project.


“We initially dubbed this project, ‘the London townhouse,’ says Anne Grandinetti, a senior designer at Mark Ashby Design. “The clients wanted to highlight the acceptable traditional moments inherited from the home. They wanted a European touch mixed with a soft, pleasing color palette to showcase their growing art collection.”



modern dining room with a wooden table and eight chairs in brown slipcovers. An industrial-style three-pendant light hangs over the table and a clay pot sits on the table on its side. The fireplace mantle is a bold marble with purple veining.

In the dining room, the fireplace mantle was chosen for its unique Breccia Viola marble. The purple coloring served as the starting point for the room's palette. Interior designer Anne Grandinetti chose terracotta-colored slipcovers for the chairs, and the walls and ceiling were plastered then painted with Farrow & Ball's Smoked Trout to complement the veining in the fireplace. The chandelier is Flos.




The clients had reached out to the firm right before the pandemic lockdown. Grandinetti recalls meeting with them, doing a walk-through of the residence, and then everything shutting down one week later. “The rest of our meetings took place via Zoom,” she says. “We spent the entire project under restrictions and still managed to pull off a beautiful remodel.”


When it came to the remodel, Mark Ashby Design brought on architect Michael Stouse of Stouse Design, and Crowell Builders, to completely gut the kitchen and main bathroom—the two areas of the home getting the biggest overhaul. The design team maintained the structure’s 3,600 square feet, working within the existing footprint to update and refresh the interiors, imbuing them with a refined, but not stuffy, sophistication.



modern living room with white walls, a light gray couch and two armchairs (one brown leather and one in blue velvet). A black-and-white marble fireplace surround is a focal point. Long cream curtains hang over windows on either side of the fireplace and a black-and-white photograph hangs above.

The homeowners, New York transplants with a growing art collection, opted for a neutral palette, eschewing loud pattern and bold color to allow the marble fireplace surround to be the star of the living room.




“We always respect the architecture of the home and make sure the exterior and interiors speak to each other in a cohesive way,” Grandinetti says. “While this is a traditional home in a traditional neighborhood of Austin, we made our modern additions subtle in the furnishings, art, staircase banisters, and fireplace stone selections. We plastered the walls in the main bath and shower, adding a European touch to the design.”


The homeowners prefer a natural color palette—soft grays, blues, and earthy hues are repeated throughout the house—and opted out of large patterns or bold colors. A pair of marble fireplace surrounds sourced through London’s Ryan & Smith, and an arresting black-and-white marble backsplash in the kitchen are statement pieces easy integrate into the rest of the décor, but don’t overwhelm. The Breccia Viola marble of the dining room fireplace was selected for its deep violet veining, which set the tone for the room’s color palette. “We let the design organically evolve,” Grandinetti says. “The clients understood the importance of high-quality finishes and the beauty of mixed materials. This provided a strong foundation for us to build upon.”



bedroom with wood floors, a marble fireplace and a bed with light gray linens. A King Charles Spaniel sits on a white-upholstered wingback chair in front of a window.

The primary bedroom is a cozy haven that, once again, uses a one-of-a-kind fireplace surround as a focal point.



For the clients, the remodel was a fresh aesthetic start—the design team integrated a few treasured pieces. A wing chair that had belonged to one of the homeowners’ parents was reupholstered, and their bed was moved to the guest room to make way for a new one in the primary bedroom. A timeless oval Saarinen for Knoll Tulip Table and a set of Marcel Breuer for Knoll Cesca Chairs complete the breakfast nook and perfectly encapsulates nuance of the home’s classic-meets-contemporary refresh.



Midcentury modern dining nook, corner breakfast nook with a Saarinen Tulip Table and Marcel Breuer chairs. A woven brown lighting fixture hangs above.

The homeowners' vintage midcentury table and chairs was used for the new, built-in dining nook. The woven light fixture is SOHO Home.



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